This
piece, supposed to have been painted in the 16th century by an unknown
Dutch artist, depicts a waterfront area of Lisbon pre-dating the
earthquake where many people congregate including many Black slaves, and
even what looks to be a Black nobleman riding a horse on the right
side. This painting could the argument irremediably proving not only
that the Black population was indeed important in Lisbon in the 16th
century, but also that social mobility was possible for people of color.
However, this painting is most likely a hoax. Its author is unknown, it
suddenly appeared in England in the 19th century, and the paint is
pretty much intact which wouldn’t be compatible with a nearly 500
years-old painting.
As a conclusion, while
there is no doubt African slaves existed in Lisbon as well in many other
European cities, the claim that they accounted for 10% of the
population is still to be unequivocally proven. In fact, up until the
70’s, Blacks were a rarity in Lisbon and non-existent in other areas of
the country. In fact, except for those who had traveled to the colonies
most Portuguese had never seen a black person. Now it seems that this
“10% theory” is used by many partisan-minded people trying to push their
agenda. Some will use it as attempt at proving that Portuguese people
have Sub-Saharian ancestry and are “less White than real Whites”. For
others it comes in handy to prove that Black Africans are everyone’s
ancestors. Some others may mean well and rely on it to advocate for
racial equality. While it is a legit fight, none should invent
historical facts just to prove their point no matter how valid the point
is.